3. November 2026
Vulture Culture Calls Out Behringer: The JN-80 Poly Aftertouch Fiasco
3. November 2026
Lillian Frances Keeps It Real: Demo Production in Ableton for the Rest of Us
2. November 2026
Harvey Sutherland: Finished stems, open decisions
2. November 2026
Roland n/vision: When Timbre Takes the Lead
2. November 2026
Bthelick Dishes Out Chord and Bass Mastery for All Genres
1. November 2026
MPC Sample: Different Software, Same Pads?
1. November 2026
Jupiter-08: Better to be original than a perfect copy
1. November 2026
Verysickbeats Breaks Down Why the SP1200X Is the Talk of the Beat Scene
31. October 2026
C64 Ultimate: Doctor Mix Dissects the Commando Groove
31. October 2026
Halloween II: Two Prophets Are Not the Whole Lead
6. November 2026
Mesa is actually a stereo reverb from 4ms and Valley Audio. But DivKid treats it as a sound reservoir, percussion source, and even a bass voice. His in-depth guide shows just how far a reverb can go beyond beautiful spaces. Metamyther and the manufacturer’s tutorial add revealing details: what matters isn’t just long reverb tails, but also softened attacks and the right moment to clear the buffer.
6. November 2026
Matrix-12 in the Blind Test: Close to the Original, Faster to the Sound
KNISTER
Vulture Culture pits GForce’s official Oberheim emulation against his own Matrix-12. He hears differences in triangle, pulse, and noise; for filter FM, his verdict is much more enthusiastic. But the most exciting gap between software and vintage hardware isn’t just in the sound: it’s also about how quickly a modulation idea becomes a playable patch.
6. November 2026
4ms Company Mesa: Plate Reverb Depths in Eurorack Hardware
MILES
4ms Company, in collaboration with Valley Audio, has unleashed Mesa—a high-fidelity stereo plate reverb module for Eurorack. Built around the Dattorro algorithm, Mesa promises lush, spacious ambience, but it’s more than just a reverb: modulation LFOs, pre-delay, dual filters, and creative features like reverse and gated effects open the door to sound design mischief. In this walkthrough, we follow 4ms’s clear, practical style to see what Mesa actually brings to a rack—beyond just big washes.
5. November 2026
Behringer’s 1601 Sequencer: Menu-Free Modulation in Action
MILES
Behringer steps back from the digital maze with the 1601 Sequencer, a hardware box clearly bent on hands-on creativity. Their latest video sidesteps menus, mice and endless screen-scrolling, instead highlighting the joy of tactile control. The 1601 is shown as a direct descendant of classic analogue sequencers, offering a workflow where each knob and switch invites instant musical feedback. With a focus on live jamming and real-time sequencing, Behringer’s presentation is all about unfiltered, patch cable-driven fun. The video promises a sequencer for those who prefer voltage over clicking.
4. November 2026
SP-404MKII: Pattern Instead of Looper – Keeping the Beat Flexible
KNISTER
Verysickbeats links his SP-202 with the SP-404MKII and builds a beat he wants to keep shaping during playback. For this, he deliberately chooses pattern mode instead of the looper. Things get interesting with the bass: in the end, it shouldn’t go through the filter. Gabe Miller’s early attempts show why live effects and permanently recorded sound processing are two different decisions.
4. November 2026
Behringer RD-765: Classic Drum Machines Reimagined in a Hybrid Workflow
Behringer’s RD-765 aims to put a golden decade of drum machine history in your hands—literally. This hybrid drum machine doesn’t just nod to the classics; it integrates 176 drum sounds, sample recording, sequencing, and a dual-mode analog filter into a single box. The official video walks through what’s on offer, mixing hands-on jams with a tour of the RD-765’s main features and performance tools. We break down how the architecture, sound palette, and interface work together, and where the RD-765 seems to stand in the crowded world of modern drum machines.
3. November 2026
MiniFreak: The Groove Is in the Filter Too
An arpeggio is running, but the real accents come from the filter: Sineway demonstrates on the MiniFreak how a custom-shaped LFO plays along rhythmically. For the bass, he deliberately keeps the sound simple. Two older contributions from AutomaticGainsay and Nu-Trix take the tinkering idea further—from the exposed triangle wave to a drum sound that almost becomes a bassline.
3. November 2026
Continuum App: Reverb grows as you let go
More pressure doesn’t have to mean more effect: In Haken’s app demo, Josh Madoff lets the reverb swell when releasing, and makes high notes sound darker. This is about more than convenient editing. Cuckoo’s earlier Continuum demo shows how closely sound and playing style are linked—and why a new sound sometimes demands new habits from your hands.