Synth Diy Guy Goes Full Rave with the Joranalogue Flow 3 Filter

What happens when you hand Synth Diy Guy the Joranalogue Flow 3? Absolute modular mayhem. In this wild ride, he wrings out every drop of character from this so-called “auto dynamic filter” – which is really just an envelope filter with a few sneaky tricks. Expect envelope followers, stereo patching and more cable spaghetti than a rave afterparty. If you like your filters fast, reactive and a bit unpredictable, buckle up.

Auto Dynamic, Not Just Hype

Joranalogue’s Flow 3 isn’t just another filter in the Eurorack jungle. Synth Diy Guy wastes no time pointing out its ace-in-the-hole: a built-in envelope generator and envelope follower, letting the filter track your signal’s amplitude or respond to triggers. Forget fiddling around with external envelopes and followers – this thing’s ready for action straight out of the box.

The module’s controls are stripped back but lethal: frequency, resonance, decay, and trigger. There’s even an envelope output for sending that juicy envelope elsewhere in your system. Don’t let the simple interface fool you – under the hood, the Flow 3 is ready to react to whatever chaos you throw at it. If you want your filter to dance to your patch’s groove, this is your weapon.

So it's an envelope filter as well as a, well, they're calling it an autodynamic filter, but that's just a fancy way to say envelope filter.

© Screenshot/Quote: Synthdiyguy (YouTube)

Triple Threat: LPF, BPF, HPF

Very cool sounding filter.

© Screenshot/Quote: Synthdiyguy (YouTube)

Three outputs – low pass, band pass, high pass – mean you’re not locked into one flavour of filtering. Synth Diy Guy patches all three, twisting between mellow low end, acid squelch and glassy high pass, sometimes even running them in stereo for some head-twisting modular imaging. The Flow 3 doesn’t just sit in the mix; it shoves its way to the front.

He’s quick to show how each output brings its own attitude, especially with some resonance dialled in. The band pass can get properly gnarly, while the high pass is crisp enough to cut through a toaster-fight drum jam. If you’re bored with single-output filters, this module’s got the palette for your next sonic street weapon.

Patch Frenzy: Chaotic Modulation and Triggers

Here’s where Synth Diy Guy gets truly unhinged. The Flow 3’s auto mode lets the filter track amplitude for dynamic, evolving timbres – just pump an LFO, envelope or sequence into the VCA and watch the filter open up as things get louder. Want more control? Flick it to manual and smack it with external triggers for percussive filter pops, or randomise decay and resonance with a chaos module. It’s like giving your filter a double espresso and telling it to improvise.

Whether he’s pinging the resonance, FM-ing the cutoff or slamming the filter with sequenced triggers, the module’s envelope output gets routed all over the shop. And for the diehards, there’s even a moment where the Flow 3 self-oscillates and goes full sine wave. It’s a DIY playground, and every patch is an excuse to push the envelope – literally.

So you hear how the filter is actually opening up more as the note gets louder.

© Screenshot/Quote: Synthdiyguy (YouTube)

Sound Demo: The Filter in Attack Mode

If words could explain how wild this filter sounds, we’d all be out of a job. From vocal sweeps to samba-esque chaos, Synth Diy Guy lets the Flow 3 loose in a modular jam that swings from mellow to manic without warning. The dynamic response is the real headline: whether you’re slapping it with triggers or letting it ride the amplitude, the Flow 3 reacts instantly, adding movement and grit. But honestly, you’ll need to watch (and hear) the video to get the full blast – no magazine article can do justice to the raw energy this filter brings to a rack.


Watch on YouTube:


Watch on YouTube: