Rapid Flow’s Omniclock: The Sync Revolution Your Studio Didn’t Know It Needed

Now for the real sauce: Omniclock’s shuffle function. This isn’t some limp swing control—Erik’s plugin lets you inject classic groove patterns straight into your MIDI clock. Want a 909 shuffle? Done. EMU 12? MPC 60? It’s all here, and it’s not just for show. The plugin actually lets you swap between these legendary feels on the fly, turning your rigid MIDI sequences into something that actually moves.

It’s not just about shifting notes, either. The shuffle patterns are inspired by deep analysis of the original machines, so you’re not getting a generic swing—you’re getting the real, jittery, human wonkiness that made those boxes iconic. If your MIDI’s been sounding like a robot with a limp, this is the fix.

Omniclock isn’t picky about what it syncs. Erik shows it running with everything from classic drum machines to synths, sequencers, and even modular rigs. The plugin supports both MIDI DIN and USB connections, so whether you’re rocking a Berenger 303 or a Nord keyboard, you can bring it all into the same tight groove. Each device gets its own Omniclock instance, so you can tweak timing independently—no more fighting with global clock settings.

And it’s not just for the studio hermits. Live performers, take note: Omniclock’s stability and flexibility mean you can clock up to 24 devices at once, each with their own vibe. The plugin even handles virtual ports and Overbridge, so Elektron users aren’t left out in the cold. Basically, if it speaks MIDI, Omniclock can whip it into shape.

Behind the scenes, Erik and his team went full synth detective, analysing the timing quirks of machines like the 909, MPC 60, and even the jittery Lindrum. Turns out, the magic isn’t just in the shuffle—it’s in the tiny inconsistencies and timing curves that give each box its soul. Omniclock doesn’t just copy these patterns; it lets you select different timing curves to match or mash up the feel of your favourite classics.

This level of detail isn’t just for the anoraks. If you want your DAW to feel less like a spreadsheet and more like a sweaty warehouse, these timing models are the secret sauce. You can even get creative and use the curves in ways the originals never could. Just don’t expect your MPC to play nice with every shuffle—some hardware still wants to keep things straight, no matter how hard you swing.