Meska, dark techno alchemist and gear wrangler of the statik collective, dives straight into the Gotharman’s Tuul for a rapid-fire tour of oscillator clusters and chord creation. Forget theory – it’s all about stacking sines, detuning like a mad scientist, and bending pitch with external CV until the walls shake. If you’re after a step-by-step patch nerd-out with a twist of French accent and a taste for the experimental, this video’s your rave bunker.

15. September 2026
SPARKY
Oscillator Mayhem: Meska Pushes the Gotharman’s Tuul to Cluster Glory
Welcome to the Cluster Machine
Meska wastes no time getting down to business with the Gotharman’s Tuul, showing off its four channels and the madness you can conjure by stacking oscillators. The goal? Thick, juicy oscillator clusters and lush chords that sound like the start of a warehouse set. With each channel mapped to a mixer, Meska sidesteps the usual menu-diving and jumps right into sonic layering.
Instead of a dry lecture, we get a hands-on demo where sine waves are the weapon of choice. The Tuul’s flexibility is front and centre – you can swap in any oscillator model if you’re feeling frisky. The setup is simple, but the results are anything but. This is about big sound, fast – and the Tuul doesn’t flinch.

"it's easy to create some oscillator clusters or chords, so let's do that."
© Screenshot/Quote: Meska Statik (YouTube)
Oscillators Assemble: Step-by-Step Sonic Chaos

"we already created some interesting oscillator cluster with the help of the wave two from Gotaman Tool."
© Screenshot/Quote: Meska Statik (YouTube)
The patching unfolds like a back-alley synth fight: Meska copies the base sine oscillator across all four channels, each time detuning and tweaking parameters just enough to keep things interesting. No endless scrolling, just copy, paste, detune, repeat. It’s almost criminal how quick it is to get a monster cluster going.
By the end, you’ve got what feels like eight oscillators crammed into a tiny box, all slightly out of tune and moody as hell. The result? A huge, harmonically rich sound wall that’s begging for more abuse. This is hands-on, gritty sound design – not for the faint-hearted, and definitely not for those who like their patches polite.
External CV: Bending Pitch and Breaking Rules
Here’s where the Tuul gets cheeky. Meska routes external CV to pitch, letting you send those clusters on a wild ride via sequencer or fader. Suddenly, static chords become living, shifting beasts. Want to go negative? Flip the modulation. Want glides, bends, and filthy pitch excursions? It’s all here, and the Tuul just keeps up. This is the bit where traditional synths start sweating.

"we can control the pitch of the four VCO with an external CV, but we still can use a keyboard."
© Screenshot/Quote: Meska Statik (YouTube)
Tuul Versatility: Live and Studio Ready
Meska doesn’t just patch and run – he shows how the Tuul can flip between live performance chaos and studio precision. Sequencers, filters (hello Hikari), and a sprinkle of reverb turn the cluster into a proper track foundation. Whether you’re jamming or programming, the Tuul’s multi-channel muscle is a street weapon for both worlds.
Don’t Just Read – Go Watch the Rumble

"you can create some big oscillator clusters or chords with the Gotham and Schultz."
© Screenshot/Quote: Meska Statik (YouTube)
Honestly, words only get you so far. If you want to hear how these clusters melt together – or fall apart in glorious fashion – you need to hit play on Meska’s video. The real magic is in the sound examples, the subtle detunes, the CV acrobatics. Go get your rave bunker inspiration straight from the source.
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