Ever wondered why Ed Sheeran’s musical director, Ashton Miranda, swears by Roland gear for those stadium-sized sounds? AndertonsKeyboardDept brings you the scoop with a sprinkle of beats, keys, and mad creative flow. Let’s dig into how Ashton shapes the sound of giants like Ed Sheeran, all with a touch of tech wizardry and sheer musical passion. Tune in and dive into the world where pianos feel alive and stage setups morph with the flick of a wrist!

28. August 2025
RILEY
Ashton Miranda’s Keyboard Alchemy with AndertonsKeyboardDept
Roland Fantom-6 EX 61 Key Flagship Synth, Roland Fantom-7 EX 72 Key Flagship Synthesizer, Roland Fantom-8 EX 88 Key Flagship Synthesizer, Roland V Stage 88 Performance Keyboard, Roland V-Stage 76 Performance Keyboard
Meeting the Maestro
AndertonsKeyboardDept kicks off their latest video with a dynamic intro, featuring Jack Ducksbury in conversation with the ever-talented Ashton Miranda. Ashton, a top-tier musical director for artists like Ed Sheeran and John Mayer, delves into his extensive touring experiences. He’s been globe-trotting with the same steadfast keyboard rig for years – a testament to his loyalty to certain sound setups. Ashton shares anecdotes from the Mathematics Tour, revealing a life packed with spectacular gigs across continents. Despite the whirlwind of tours, his sound stays consistent, reflecting a deep commitment to quality and precision.

"You are like the face of Roland at the moment and the biggest proponent of Roland products on the Ed Sheeran tour."
The Backbone of the Show

"When I speak to their teams, I'm like, just to let you know, there's no click, no track."
Ashton’s rig has been the backbone for multiple artists, providing that lush soundscape essential for concert magic. He shares insights on the impact of spontaneous guest appearances, like singing alongside Sam Smith and playing with John Mayer. Ashton creatively adapts to new songs and artists, sometimes with just an hour of sound check, showcasing his adaptability and skill. As the lifeline of the sound, he deftly mixes big power chords with delicate piano in ways that make stadiums pulse with energy. His ethos? Keeping it raw and organic, a vibe embraced after shedding the constraints of backing tracks and clicks.
Plugging into the Vibes
Ashton digs deep into the sound shaping possibilities offered by Roland’s set of tools. Using the V-Piano, he personalizes everything from hammer noise to cabinet resonance, creating a sound that feels alive and textured. These tweaks turn the keyboards into extensions of his musical expression, proving that personal connection with gear can elevate a performance. Ashton explains how layering sounds, like combining Juno pads with Jupiter synths, produces a stadium-filling effect. Roland’s flexibility allows these custom made soundscapes to thrive, making each performance distinctive and potent.

"What I like about the V piano is it's completely separate to the keyboard's polyphony."
Integration Meets Innovation

"I trust the Japanese with technology. I'm sorry. They are just the leaders."
Ashton talks about the sheer power of the Roland Fantom-EX series, which feels like having a vintage library of sounds at your fingertips. He explains the seamless integration between the studio and live settings using simple USB transfers, allowing him to carry his signature sound worldwide. This is where Roland outshines competitors like Nord, providing swift, reliable updates and effortless transitions. Whether it’s jamming out classic Rhodes sounds or crafting unique patches for live sets, Ashton proves that having robust gear makes all the difference. The Roland gear becomes his musical canvas, letting creativity flow unhindered.
A Symphony of Craftsmanship
While delving into the tech of keyboard customization, Ashton reveals his passion for sound detailing. By layering multiple pizzicato strings or using advanced compressors, he unpacks the full potential of the Roland setup. Ashton’s method is meticulous, as he balances the raw power of live performance with the polished intricacies of studio precision. The parallels he draws between the live and studio environments underline the versatility of the gear. Ralph’s idea of an Edge pack for sound sharing comes alive, enticing viewers with the promise of accessing these custom sound feats Ashton has perfected.
The Finale: Past, Present, Future
The video rounds off with Ashton discussing future prospects and his continuous pursuit of sound excellence. The battle between different brands for stage and studio supremacy becomes a subplot through the conversation, highlighting his preference for Roland’s straightforward approach and craftsmanship. Ashton’s detailed sound engineering tips have left a mark, urging users to think differently about their own setups. This finale isn’t just about gear – it’s a rallying call for musicians to explore, customize, and own their sound in ways they hadn’t considered. AndertonsKeyboardDept leaves viewers with a mix of awe and inspiration, closing a chapter abundant in melody and creativity.
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