When it comes to synths that deliver serious bang for your buck, the Oberheim TEO-5 seems to have all the right hooks. This compact module packs the classic Oberheim punch in a sleek package, and AndertonsKeyboardDept is here to show us just how much grit is under the hood. Will this be the synth that makes you ditch your keys for good? Dive into the video as Jack Duxbury takes it for a spin.

9. August 2025
JET
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The Compact Bruiser: Oberheim TEO-5 Introduction
Let’s dive into the heart of the Oberheim TEO-5, a five-voice polysynth module that’s bringing the ruckus to synth territory. Jack Duxbury kicks things off on AndertonsKeyboardDept’s channel, painting a lively picture alongside Alex and Oz Powell. The new module boasts the same brainy guts as its keyboard titillating sibling—just with a slimmed-down, keyless form factor. It’s like trading your massive Marshall stack for a pocket amp and still rattling the walls. This surgically precise reduction retains the iconic Oberheim sound—filters, LFOs, and all—and promises a journey into sonic debris. Whether your studio’s as packed as a rush-hour Tube or a spit-and-sawdust punk joint, this module fits like a well-worn leather jacket. Jack invites us to savour the design, noting its button layout retains the original’s formidable utility. Accessible without compromise—the Oberheim TEO-5 is ready to rumble.

"Everyone's kind of been asking for it and here we are, we've got it."
Sonic Mayhem: The Oberheim Signature Sound

"Five voices is a bit of a sweet spot."
Now, let’s talk sound. With five voices, Jack boasts that the TEO-5 really hits a sweet spot, balancing fullness with the rough-and-ready vibe we’ve come to adore in poly synths. The showcase brings a symphony of resonance, packing punches usually reserved for synths with at least six voices. Whether it’s the throaty growl of the low-pass or the searing shriek of the high-pass, this beast is nothing short of a sonic pugilist. The state-variable filter, a slice of true Oberheim magic, lets you skate between filter types with ease—no manual required. As Jack twists the knobs and presses buttons, the sounds that scream from the TEO-5 are unmistakably classic, yet cheekily modern. Drop it into unison mode, and it’s like listening to a whole crew of misbehaving VCOs having a riot in the best possible way. Jack’s first impressions reveal a module that doesn’t skimp on delivering its heritage while strutting confidently into contemporary audio carnage.
Vintage Meets Versatile: Effects and More
Not one to fall short on bells and whistles, the TEO-5 also brings some serious effects to the table. With a palette that ranges from bucket brigade delays to tape echoes that wobble like a dodgy vinyl, AndertonsKeyboardDept pulls no punches in showcasing the synth’s mod matrix. Imagine you’re patching together a modulation scheme with strings that pull, snap, and shimmer on demand. It’s the vintage vibe we’ve yearned for, mixed with a modern edge. Jack and the lads tweak the knobs, sloshing noise into modulation sources like a pint into a glass, breathing life into each preset with a complexity and dimension usually found in sprawling modular setups. The vintage knob is the ace up the sleeve, allowing subtle drifts that echo the glory of ghostly, unpredictable gigs from decades past. This module isn’t just vintage flavour—it’s tales from synth history with a dash of chaotic curiosity.
The Modular Revolution Simplified
Jack Duxbury emphasises the ease of integrating the TEO-5 into any setup, making a strong pitch for its modular simplicity. In the murky world of synths, where patch cables can devour your patience faster than a rabid dog, this module is a breath of fresh air. Less a terrifying maze and more a stroll down familiar streets, the TEO-5 grabs you by the ears and gently yet firmly pulls you through its sonic landscape. The pricing strategy too, is carefully crafted, lending this powerhouse an air of affordability without losing an ounce of prestige. With Andertons offering competitive prices compared to its keyboarded kin, it’s hard not to take notice. They’re not just selling a synth—it’s an open invitation to a world where the only limit is how far you’re willing to twist those knobs. Jack’s endorsement turns into a tidal wave of enthusiasm, leaving no room to doubt the TEO-5’s place in the upper echelons of modern sound crafting.

"You've got the mod matrix switch here."
Final Thoughts and Sign-Off
As the video winds down, there’s no denying the impression the TEO-5 has left on the Andertons team. Jack’s closing words echo what many might be thinking: the Oberheim TEO-5 is a remarkable specimen of synth engineering, straddling the line between affordability and capability. He reminds viewers of the deep dive done by their mate, Calc, into the keyboard version, with a playful note on the module’s twin, the Take-5. With a blend of humour and expert insight, Jack signs off, encouraging synth enthusiasts to watch the follow-up videos. It’s a win-win for those daring enough to embrace both analogue clatter and digital sophistication. What’s clear is that the TEO-5, now fresh on the racks, teases a future of sound exploration as vibrant as a night at a raucous gig. Jack’s excitement is contagious, and as the music fades, you’re left itching to plug in and start your own sonic adventure.
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