WMD Clutch: Hi-Hat Reinvented, DivKid Style

25. November 2025

JET

WMD Clutch: Hi-Hat Reinvented, DivKid Style

Dive into the chaotic yet oddly musical world of the WMD Clutch with DivKid, as he unveils a hi-hat module that’s more than meets the eye. From layered samples to creative effects, this video is packed with features that will have any synth fan salivating.

Meet the WMD Clutch: A Hi-Hat with a Twist

The video kicks off with the introduction of the WMD Clutch, a dual-layer hi-hat module that’s far from your run-of-the-mill percussion piece. DivKid, in his typical fashion, brings to life a module designed not just to click and clang, but to weave musical tapestries. Billed as one of the most anticipated hi-hat modules on the Eurorack scene, the Clutch promises a lot more than the traditional hats you’d find in an 80s drum machine. It holds its ground with dual surfaces, allowing for closed and open hi-hat sounds, reminding us of those lively punk gigs where the energy never drops. There’s a nod to traditional XOX drum machine vibes, but the Clutch delves headfirst into experimental territory. DivKid highlights its versatile nature, from raw, machine-like beats to multi-sampled human expressions that redefine how you perceive hi-hats. By layering sounds and using its unique sample playback capabilities, Clutch breathes new life into any beat it touches. This module doesn’t just sit in a mix; it drives it, swaggering into new musical horizons.

Clutch is inspired by the precision and expression of real hi hats.

© Screenshot/Quote: Divkid (YouTube)

Unpacking the Features: A Layered Playground

With the dual layer approach to the module we have some global controls and some for sides A and B.

© Screenshot/Quote: Divkid (YouTube)

Delving deeper into the Clutch, we find a feature stack as tall as Big Ben. DivKid opens up the module’s dual-layer design — a well-conceived playground for sound manipulation. Surface B, for starters, is laid out with a baked-in set of nine sounds, each with its own pitch and filter controls. Think of it like having a pre-set nostalgia trip back to those classic drum machines. Meanwhile, Surface A is the customizable beast, pulling from an SD card full of vibrant, changeable samples. Here, the options feel as endless as a Saturday night in Camden. The global controls, like low-pass filters and release dials, create opportunities for layering and mixing that are both nuanced and intuitive. What’s particularly interesting is the crossfade feature between Surface A and B, seamlessly blending two worlds of sound into whatever you can imagine. Now, you might mistake such intricate capabilities for complexity, but DivKid assures us the module keeps everything straightforward, offering musicians a chance to explore rather than getting tangled in wires.

Sounds That Speak: Electronica Meets the Organic

In this section, we’re treated to a library of sounds, both electronic and organic, curated beautifully by DivKid. The Clutch, with its various sample banks, isn’t just a robotic ear-driller but a palette of texture and tone. From classic machine hats to real cymbals played with mallets, the breadth of what’s packed in is astounding. This isn’t just about getting a hi-hat to cut through the mix; it’s about crafting something dynamic, alive, and quintessentially unpolished. You hear everything from the shimmer of old-school techno shakers to lo-fi tape artefacts, each colour coded for user-friendly access. Just swap sounds like you’re changing records on a jukebox. It’s the same joyfully chaotic spirit that has defined electronic music for decades, captured in one module. For anyone who’s ever wanted to tickle their ears with Arp 2600-inspired noises, the Clutch opens up new realms of creativity and sonic exploration.


Rhythm and Dynamics: Patching the Punk Spirit

DivKid dives into the patching realm, demonstrating how to tease out rhythmic complexity that would make even seasoned drummers envious. The module’s performative edge comes to the fore as he unleashes patterns that bop with swagger and controllable chaos. Hi-hats set the groove, breathing life into beats that hum with that familiar head-bobbing satisfaction. DivKid doesn’t just scratch the surface; he digs deep, showing how blend modes, filter dynamics, and accents can turn a basic sequence into an electrifying punk gig, right in your rack. The video explores the nuances of velocity modulation, generating everything from subtle grooves to full-on sonic assaults, not unlike a drum machine after-hours in a club basement. Surely, it’s about more than triggering; it’s about feeling the rhythm beneath the fingertips. He showcases patterns that aren’t just dynamic but full of crunch and grit – sounds that feel as tangible as the bricks of an underground music venue.

It's just kind of part of a nice groove.

© Screenshot/Quote: Divkid (YouTube)

Effects: From Subtle Layering to Chaos Unleashed

Red is a bitcrush distortion.

© Screenshot/Quote: Divkid (YouTube)

In this segment, the focus shifts to the Clutch’s onboard effects, revealing a plethora of sound-shaping possibilities that make ordinary hits extraordinary. The module houses eight distinct effects, each a tool for crafting textures that stretch from subtle enhancements to downright sonic bedlam. Sputter distortion, bitcrushing, and a DJ filter ready to slice through any mix sit alongside dub echoes and chorus effects that fill the space with warmth and dimension. DivKid handles them with the precision of a mixtape DJ, setting alight to pedestrian rhythms and turning them into full-fledged sonic narratives. Each effect is colour coded, making it a breeze to flip between them during performances. Whether using reverb for space or glitch effects for that broken electrical circuit sound, this section is akin to a rave, the kind that echoes long after the lights have come up. Under DivKid’s deft touch, effects become less about mere embellishment and more about transformation.

Beyond the Beat: Clutch as an Oscillator

As if making beats wasn’t enough, DivKid pushes the Clutch into tonal territories with a final experimental twist – using it as a complex oscillator. This is not just about creating rhythms but exploring sonic frontiers that turn the module into a quasi-synth voice. By audio rate triggering, the Clutch defies its initial purpose, morphing into a tool for drones and evolving melodies. It’s a transformation akin to watching a punk band suddenly break into a heartfelt acoustic set mid-show, unexpected yet totally welcome. Through this innovative use, it takes on a new identity outside the box of conventional percussion. DivKid, in a stroke of creativity, extracts harmonics and sync-like qualities that bursts the boundaries of what you’d expect from a hi-hat module. Here, the Clutch stands as a testament to the endless possibilities within Eurorack. It’s the DIY ethos, reminding us all that, sometimes, it’s the gear that sets no limits that truly rocks our world.


This article is also available in German. Read it here: https://synthmagazin.at/wmd-clutch-hi-hat-neu-erfunden-divkid-style/