Starsky Carr’s Synth Odyssey: The Groove Synthesis 3rd Wave 8M

In the perpetually lit arena of synths, the Groove Synthesis 3rd Wave 8M makes its entrance like a fresh pint at a crowded pub. Starsky Carr dives right in, introducing us to this slick eight-voice version nestled in a rack-friendly desktop unit. It’s pared down a bit on the knobs compared to its predecessor, showing off a big, beautiful screen that makes you forget about those missing twists and turns. The unit exudes class and command, making it clear from the get-go that this isn’t just a facsimile of its forebears. It has the look and feel of something that’s ready to cause a ruckus. And as Carr points out, the nostalgia factor for early PPG die-hards is strong, heralding a modern day revival of the PPG’s legendary tones.

Carr leads us through the sonic landscapes while addressing a lingering pub debate: is the 3rd Wave 8M a PPG revival or just another budget Behringer grappling for fame? He deftly describes how the 3rd Wave 8M not only captures the iconic PPG sound but eclipses its clones by seamlessly merging classic vibes with advanced capabilities. The device can replicate the PPG’s signature quirks, from wave table smoothing to PPG style envelopes, articulating sounds in ways that hark back to the glory days of synthesis. Yet, it doesn’t just stop at imitation – the 8M brings powerful enhancements, like modern multi-timbrality and audio-derived wavetables. It’s like witnessing a seasoned boxer still throwing killer punches while unveiling some unexpected footwork. As Carr wraps up this segment, he underlines how the 8M doesn’t just stand toe-to-toe with the Behringer Wave; it strides ahead with features that redefine flexibility and engagement.

Starsky Carr pulls back the curtain on the oscillators and modulators that make this beast roar. With its three oscillators, numerous envelopes, and LFOs, the 8M delivers a symphony of possibilities. Carr guides us through a treasure trove of sounds, revealing how the synth holds 8-bit PPG waves, high-res U waves, and analogue shapes that dance between the precise and the raw. He doesn’t shy away from showing the inner workings of this gear, likening it to exploring different corners of a labyrinth where each turn reveals new sonic textures. The device’s versatility stands out strikingly, capable of conjuring everything from ethereal pads to the abrasive depth of a blown speaker on the verge of collapse. His breakdown demonstrates the sheer range and capability of the 8M, punching well above its weight class in terms of flexibility and sound craft.

The grand finale of Carr’s synth spectacle culminates in a striking demonstration track. He weaves nine synth components with drums and vocals into a rich tapestry of sound, comparable to blending tantalising flavours at a midnight kebab stand—unexpected, yet delightfully harmonious. By playing each element in turn, we hear how the 8M’s multitude of voices unite to form a cohesive sonic narrative. The basslines throb with intent, overlaid with fluid leads and sparkling effects, illustrating the synth’s unparalleled ability to morph between genres and moods. Starsky Carr leaves us with the impression that the 8M is not just a synth; it’s a complete musical journey contained in a single unit. As the music fades, Carr’s work reminds us of the beauty of synthesis and the ceaseless innovation that keeps this world ever turning.