Signal Sounds Unleash the Teenage Engineering EP-40 Riddim: Dub, Sirens & Ting in a Box

Signal Sounds kick things off with a bang, introducing the Teenage Engineering EP-40 Riddim—a cheeky little box that’s got reggae and dub running through its veins. It’s built on the same bones as the KO2, but don’t be fooled, mate: this isn’t just a rehash. The Riddim comes loaded with a sample library straight from iconic reggae producers and a playful design that screams, “Take me to the afterparty!”

What really sets this beast apart is its attitude. The Riddim isn’t just about nostalgia—it’s about pushing boundaries and having a laugh while you’re at it. Signal Sounds make it clear: this isn’t just a reggae and dub machine. It’s a launchpad for sonic mischief, whether you’re skanking in the lounge or flipping genres like a DJ with a short attention span.

Let’s get technical, but not too serious—this thing’s got handcrafted synth engines that’ll have your basslines wobbling like a kangaroo on a trampoline. Signal Sounds walk us through the Super Tone synths, accessible with a simple button combo, offering everything from fat bass to melodic leads. Each engine’s got tweakable parameters, so you can dial in lo-fi grit or smooth it out for a late-night cruise.

But the real party trick? Those pressure-sensitive dub sirens. Forget polite filter sweeps—these sirens are made for chaos, letting you bend and twist your sounds with a heavy hand. Whether you’re after classic reggae vibes or want to send your set into outer space, these controls are as wild as a surf wipeout in a cyclone.

Now, here’s where things get spicy. The Ting microphone isn’t just a throw-in—it’s a lo-fi legend in the making. Signal Sounds are smitten, calling it the kind of gadget they’d buy on its own. This mic’s got four built-in effects and samples, and it’s got that crunchy, distorted edge that makes vocals and percussion pop out of the mix like a snag on the barbie.

You can slap on effects from the Riddim or use Ting’s own flavour, from reverb to robot voice. Plus, it’s battery-powered, has a removable front, and even lets you upload your own samples via USB-C. Whether you’re recording vocals, adding weird percussion, or just mucking about, Ting’s a versatile mate for any project—Signal Sounds reckon it’s a keeper, even outside the Riddim ecosystem.

When it comes to jamming, the EP-40 Riddim is as lively as a Melbourne laneway on a Saturday night. Signal Sounds dive into the performance features, showing off loop controls that let you chop, stretch, and remix your beats on the fly. With a few button presses, you can create loops of different lengths, window them, and even layer or replace loops across pads—something the old KO2 can’t pull off.

Add in punch-in effects, tape stop tricks, and solo/mute options, and you’ve got a playground for live experimentation. Whether you’re layering bass fills, mangling melodies, or just seeing what happens when you hit everything at once, the Riddim’s got enough performance juice to keep your set fresh and unpredictable. It’s the kind of box that dares you to push it until it squeals—or until your neighbours complain.