optoproductions blends Behringer TD3-MO with guitar pedals for fiery results

In a realm where music gear often strives for polished perfection, optoproductions takes a delightfully anarchic detour with the Behringer TD3-MO, paired with a trio of guitar pedals that bring a fiery edge to the table. The setup is deceptively simple: the TD3-MO runs into a Joyo Analog Delay, a TC Electronic Trinity 2, and a Boss BD-2 Blues Driver. No re-amping here; it’s a direct patching affair, which keeps things raw and real. With the pedal order causing mayhem in all the right ways, every note gets a chance to scratch and claw its way out from the speakers.

The brilliance of combining these elements comes into sharp focus when different patches are explored. The so-called ‘Space Monkeys’ patch is particularly striking, with a blend of delay and reverb that produces a swirling sonic landscape, reminiscent of a starship engine taking off. optoproductions doesn’t shy away from cranking the distortion, creating a soundscape that’s rich with overtones and underlying harmonics. The ‘Feedback’ and ‘Filter Oscillation’ segments reveal even more possibilities, inviting listeners to experience the modulated awesomeness that only such a pedal-heavy chain can deliver.

Optoproductions caps things off with a candid reminder: purist ideals have no place here. The Behringer TD3-MO’s true potential is unlocked, not by what it is, but by what surrounds it. Pedals like analog delay, reverb, and distortion are common mates in any producer’s toolbox – nothing outlandish there, but when combined, they elevate the gear into new auditory horizons. The message is clear – break free from the constraints of pure sounds and embrace the raw, evolutionary journey of sound design. This video stands as a testament to the fact that sometimes, the real magic happens when rules are tossed out the window and experimentation is allowed to roam free.