malobeats’ Beatmaker Workshop: Anything But Basic with the MPC One+

Alright, folks, grab your headphones and your favorite drink because malobeats is kicking things off with a slick intro to the MPC One+. This is the quintessential starter guide for all you beat novices out there. He sets the stage by talking about the complexities of the MPC, reassuring you that you don’t need to master every nook and cranny. It’s like walking into a candy store for the first time—don’t get overwhelmed, just focus on the flavors that catch your eye. malobeats emphasizes that his goal isn’t to make you a master overnight, but rather to show you the ropes his way—simple, straightforward, and effective. If you’re new and you’re here to learn how to sample and lay down those killer beats, you’re in for a treat. This ain’t about collecting degrees, it’s about catching vibes, people!

The main page of the MPC One+ is like the dashboard of a studio spaceship, full of buttons and possibilities. malobeats breaks it down for the newbies—don’t try to fly this thing without reading the manual, but also, don’t worry about knowing how to operate every single control. He advises setting your sequence to two bars to start, just to keep things chill and manageable. The key takeaway? Focus on learning just a few crucial elements like sequence and tempo adjustments. The MPC offers different types of tracks and, as malobeats says, start simple: concentrate on drum tracks. He’s already loaded up a drum break onto a pad as a demo—it’s like putting a dirty groove onto a clean canvas—and walks you through how to match tempos without losing your head. You want to get that MPC swaying to the right rhythm? This is where you start tapping those features and find your jam.

Sampling is the heartbeat of beatmaking, and malobeats digs right into it. He introduces the art of capturing samples onto your pads while discussing different ways of sampling into the MPC. While some folks out there get bogged down in endless options, malobeats is all about keeping it raw and direct, preferring the pad tap method for its efficiency. If you’ve been messing around with overcomplicated techniques, it’s time to clean house and stick to the essentials. Malobeats stresses the power of pad tap for quick, simultaneous sampling and chopping, eliminating the mundane step-by-step process that typically slows creativity down. He considers this method akin to finding the perfect riff amid a pile of forgettable tracks; you hit the right spot, and voila! The magic is yours. There’s no need for perfection, just a keen ear and willingness to tap into the flow.

Now that we’ve got our samples all sliced and diced, it’s time to lay them down into a sequence. Malobeats brings out his usual flair while sequencing these chops, emphasizing that it isn’t about pristine perfection. Imagine catching a wild idea and just going with it—that’s the energy he’s trying to harness. He’s not just assembling beats; he’s capturing those moments of inspiration that spring forth like a surprise freestyle on the subway. This section showcases how malobeats matches tempo discrepancies, pitching samples up or down like a DJ finding the right tune to match the dance floor vibe. He’s always a few steps ahead, rearranging chops with the ease of flipping a mixtape in the wee hours. When malobeats talks about making music, it’s about feeling the flow rather than following a ruleset, making sure his audience gets that beat-making is as much about heart as it is about skill.