DivKid Delves into the Stereo Chaos of the New Steady State Gate

DivKid kicks off the video by introducing us to the shiny new Steady State Gate Stereo Field by SSF. This iteration isn’t just a facelift; it’s a full-blown makeover, tossing in stereo processing and more CV controls. It’s a deconstructed and expanded version of the classic low pass gate, revealing waveshaping and dynamic stereo controls. DivKid notes that the original Steady State Gate was already a bit of a modern classic, and now, this stereo version is strutting onto the scene to make a big noise. The added features, with their revamped circuitry, promise improved sound texture and broadened sonic possibilities, setting the stage for some serious patching adventure.

Here we are, right in the thick of the Steady State Gate’s distinctive features. DivKid meticulously walks us through, like a punk artist tearing through a setlist. The module is a 10 HP spectacle with stereo inputs and outputs that promise a world of sound. The inclusion of a CV gate and the iconic excite input means you can trigger and tweak those decay envelopes just right. It’s all about that dynamic response, a true hallmark of SSF’s ferocious attention to detail.

The low pass options, from two pole to bandpass, promise to slice and dice your audio in enticing ways. Then there’s the built-in wave shaping, with timbres that span chaos and saturation, even folding your audio into something unrecognisable – in a glorious way. DivKid charms us with insights into how each control – from filter frequency to the CV inputs for Q – shapes and mutates the sound texture. If you want a wildcard in your rig, this module is ready to deliver. It’s designed for chaos lovers who enjoy a bit of unpredictability in their tonal explorations.

Stepping into a techno wonderland, DivKid challenges the status quo with dub-techno vocoder magic. Revisiting some classic sounds, he layers wavetables and effects, sculpting sound landscapes that wow the senses. He takes a vocoded voice and gives it a rhythmic surprise within the stereo field.

With engaging dynamic triggers, the patch animates itself. The stereo outputs synchronise beautifully with the beats, emphasising every swell and duck. DivKid shoulders his way through modulation layers, turning simple triggers into animated marvels. He explores the natural response of dynamic triggers to build on the envelope output, patching strategically to breed expressive soundscapes.

More than just noise, it’s a symphony of experimental sounds that evolve and morph with each tweak. The stereo magic thrives here, projecting a unified image where melodies twist and unfold like stories of sound. Each note, each patch, creates a cohesive narrative as DivKid flexes the stereo low pass gate’s ability to craft a world alive with dynamic, responsive forms.

Wrapping things up, DivKid dives into another realm, showcasing the potential for audio rate modulation as a tool for sonic mayhem. With the Steady State Gate, he coaxes awe-inspiring sounds through a mix of modulation inputs, sending tremors through the stereo field.

The Steady State Gate isn’t just a module; it’s a platform for pushing creative boundaries. DivKid emphasizes how well the module plays with others in the Eurorack, enhancing an oscillating tableau of tones without losing cohesion. With the audio rate tremblings sending shivers down skulls and the stereo depth deepening each modulation, it’s like audio shenanigans done right.

Concluding with an open invitation, DivKid encourages us to join in, get our hands moody and pulsing with the SSG SF’s inherent musicality. The Stereo State Gate Stereo Field has shown its colours, its ability to both brawl and serenade within any modular setup. This isn’t just a demo; it’s an incitement to explore, tweak, and stretch musical limits in all the messy brilliance Eurorack allows.