Devin Belanger, a.k.a. Miles Away, dives deep into the world of synths, calling out what’s overrated and what’s underrated. He doesn’t shy away from controversy, touching on the likes of the Moog Mother 32 and the Teenage Engineering OP-1 Field. If you’re ready for honest, no-nonsense rankings packed with insight from 12 years of music production experience, this one’s for you.

17. August 2025
RILEY
Devin Belanger’s Verdict on Synths: The Underrated vs. Overrated Debate
Behringer Neutron, Dave Smith Prophet Rev 2, Korg Prologue, Moog Matriarch, Moog Mother-32, Roland Boutique Synth Modules, Teenage Engineering OP-1 Field
Intro to Overrated vs Underrated
Devin Belanger, known in the music scene as Miles Away, opens up with a bold approach—ranking synths as overrated or underrated. Drawing inspiration from Andrew Chapman Creative, Devin ventures into an analysis that promises to upset some synth enthusiasts. He presents his credentials right off the bat: over a decade in music production with a heavy hardware lean. Belanger’s playbook? Shoot straight, no fluff, and let listeners agree or launch into spirited debates in the comments.
Teenage Engineering OP-1 Field: Luxury or Hype?
The OP-1 Field by Teenage Engineering is the first target. Despite its reputation for being an all-in-one music maker, Devin calls it out as an expensive luxury item built more on hype than substance. He points to its appearances in major music videos and its status as a cultural staple but questions its hefty price tag. Devin favorably compares the OP-1 with alternatives like the Deluge or Polyend Tracker Mini, which offer similar features without breaking the bank. He raises eyebrows by suggesting that for the OP-1’s price, one could nab a full-on analog synthesizer instead, driving the point that the synth world often allocates more value to brand and reputation than practicality.

"Easily overrated."
Moog Mother 32: A Single-Voice Critique

"Overrated."
Next up, the Moog Mother 32 takes the heat. While acknowledging its great sound, Devin tags it as overpriced for what it offers. With a single oscillator and limited modulation, Devin doesn’t see it justifying the cost without additional modular gear to enhance it. He dreams of building unique Eurorack setups with custom components, something the Mother 32’s semi-modular stance falls short of. For him, true synthesizer bliss lies in the flexibility of combining diverse modules, rather than sticking with preassembled yet feature-trimmed units.
The Behringer Neutron: An Underrated Gem
When the Behringer Neutron enters the scene, it’s clear that Devin’s enthusiasm rises. Rated as underrated, this synth screams value, especially when stacked against the Moog Mother 32. Packed with two VCOs, modulation options, and semi-modular design, the Neutron stands out as a budget-friendly powerhouse. Devin tips his hat to Behringer’s original efforts, urging them to create more gems like the Neutron. Though Behringer gear may not be widely available everywhere, when it is, Devin counts it as a solid pick, particularly for those new to synthesizers equipped with a MIDI keyboard.

"Now, the Behringer Neutron...underrated."
Roland Boutique Series: Digital Doesn’t Disappoint

"The Roland digital versions sound phenomenal."
Devin shines a light on the often overlooked Roland Boutique series, praising them as underrated. Despite being digital, these synths faithfully recreate iconic sounds like those of the Jupiter and the Juno. Devin argues they capture the essence without needing the analog pedigree, and their knob-per-function design wins a nod. Among the Boutiques, the SE-02 stands out to Devin as an analog treasure, hitting above its price point with extensive features. Here lies a series that caters to those wanting legendary sounds on a budget without sacrificing quality.
Moog Matriarch: The Undeniable Moog Majesty
Ah, the Moog Matriarch. Devin labels it as underrated, a sentiment seemingly shared by the market as seen by its continued sales. This beast, with its Moog DNA and US craftsmanship, includes a stunning bucket brigade delay. The low resale price makes it a steal for a synth ironically capable of matching the prestige of its predecessors. Devin underscores its paraphonic capabilities and integration with Eurorack systems, while the included delay alone would be a sought-after feature on any standalone device. For him, it’s worth every penny, especially for those chasing that classic Moog sound.
Dave Smith Prophet Rev 2 and Korg Prologue: The Contrast
Devin closes with a juxtaposition of the Dave Smith Prophet Rev 2 and Korg Prologue. With a bit of controversy, he views the Prophet Rev 2 as overrated, despite its technical specs and analog promise, it doesn’t resonate with him. The Korg Prologue, however, stands as a workhorse—one that Devin deems deeply underrated. With its robust Japanese build and characterful filter, it not only stands the test of time but serves as a powerful toolkit for a wide range of sonic adventures. Its ability to blend analog warmth with digital versatility makes it a keeper in Devin’s book.
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