BounceChord Ignites with Metal Zone Madness

BounceChord dives straight into the deep end with the infamous BOSS Metal Zone MT-2. Ordinarily a tool for metalheads, this pedal’s honking midrange and extreme gain can make it the punchline of many jokes. Yet, BounceChord sees beyond the stereotypes. He explores its potential for crafting weird and wonderful tones, making it clear that he doesn’t confine it to metal’s typical domains. The MT-2 opens up a world of tonal possibilities ranging from equalizing feats to unconventional soundscapes. Despite its notoriety, this pedal isn’t just a blast from the heavy metal past; it’s a potent tool for the adventurous sonic explorer.

With the Keeley-modded BD-2 Blues Driver in the mix, BounceChord takes us on a riveting journey of sound morphing. The Blues Driver, a staple for lower-gain sounds, becomes the unsuspecting protagonist in this drama of distortion. Hooking it up with the Metal Zone introduces a fascinating dialogue between the pedals. BounceChord demonstrates that this isn’t just about adding gain; it’s about reshaping frequencies and carving new sonic pathways. The interplay of the BD-2’s warmth with the Metal Zone’s edgy honk creates a hybrid tone, offering depth and diversity that dance on the edge of chaos and control. This combination flips the standard use on its head, redefining what these pedals can achieve together. As BounceChord plays with the EQ, masterfully tweaking the 15 dB cuts and boosts, he crafts a soundscape that’s both hauntingly beautiful and audacious.

BounceChord juxtaposes the Keeley Katana with the Metal Zone, diving into what makes each boost distinct. The Katana, known for its crystal clear, “just volume” boost, stands in stark contrast to the character-rich Metal Zone. BounceChord highlights the unpredictability of this pedal comparison, pointing out that while the Katana adds a pure edge and enhances existing tones, the Metal Zone paints them with a vibrant, sometimes jarring new spectrum. This isn’t a clash; it’s more of a complementary chaos where transparency and colour push and pull in unexpected ways. The Metal Zone’s mid-frequency manipulation brings distortion to a quirky new realm, proving that while it may not be all-purpose, it certainly isn’t shy of making a statement.

In his concluding thoughts, BounceChord reflects on the eclectic experiment. The Metal Zone MT-2 may not be your typical choice for a clean boost, but it’s undeniably intriguing. While the Katana offers a straightforward precision, the Metal Zone invites a riot of frequencies. BounceChord muses on the practicality of such an arrangement, questioning its long-term place on a pedalboard. Yet, the experience is valuable for the creative insight it offers. This journey through tones reveals that sometimes the strangest tools can ignite the most brilliant sparks. Ultimately, whether this combination becomes a mainstay is secondary to the joy of discovery and the enrichment of creative expression.