Behringer’s Ring Stinger: Analogue Mayhem in a Metal Box

Behringer wastes no time in positioning the Ring Stinger as a pedal that’s here to disrupt. The video opens with a tongue-in-cheek warning for guitarists, synth players, and producers to brace themselves for a physical and emotional experience—one that’s both a nod to the past and a shot of something new. The Ring Stinger is introduced as a reimagining of a 90s classic, a device that once upended the pedal world and has since become elusive on the second-hand market.

The narrative leans into the idea that this pedal isn’t just another sensible addition; it’s a deliberate act of rule-breaking. Behringer’s presentation style is as bold as the pedal’s name, promising an experience that’s more than just a reissue. The Ring Stinger is cast as a walk on the wild side, designed to leave a lasting impression on anyone who dares to plug in.

At its core, the Ring Stinger combines two unruly effects: a ring modulator and an octave fuzz. But as the video’s host points out, simply calling it that barely scratches the surface. This is not a polite, background effect—think more Carolina Reaper than black pepper. The pedal is pitched as the box you reach for when you want to inject serious chaos into your signal path.

The sound character is described as wild and experimental, with the ability to push your tone into alien territory. The demo hints at the sort of unpredictable, harmonically rich textures that only analogue ring modulation and fuzz can deliver, inviting users to explore beyond familiar sonic ground.

For those who like to manipulate sound on the fly, the Ring Stinger offers both expression pedal and CV inputs. These allow for real-time control over parameters like LFO depth and VCO frequency, opening up a world of performance possibilities. The video points out that while synth players can twist knobs directly, guitarists and bassists can use external controllers to keep both hands on their instrument.

This integration makes the Ring Stinger more than just a static effect—it becomes a dynamic tool for live modulation. Whether you’re sweeping frequencies mid-riff or automating changes from a modular rig, the pedal’s connectivity encourages interactive sound design.

The Ring Stinger isn’t just for the stage; its versatility shines in the studio as well. The input section is described as highly accommodating, inviting users to plug in a variety of sources and see what emerges. The video demonstrates using a kick drum to trigger a sine wave via the carrier input, creating effects that lock to your production’s timing.

Behringer’s host emphasises that the controls may seem unconventional, but that’s by design—the pedal is about exploration, not recall. With a quick start guide offering detailed control breakdowns and preset ideas, the Ring Stinger is positioned as a catalyst for creativity, pushing musicians to discover new sounds rather than repeat old ones.