Behringer BMX: 80s Drum Machine Nostalgia Rewired for the Modern Patchhead

Behringer’s BMX is introduced as a modern drum machine with a clear mission: to resurrect the iconic sounds of early 80s EPROM-based rhythm boxes for a new generation of producers. The video sets the stage by referencing 1982’s pivotal role in electronic music, when two legendary drum machines shaped the sound of pop, hip hop, and electro. Behringer positions the BMX as a continuation of their nostalgia-driven lineup, following the RD-8, RD-9, RD-6, RD-78, and the LM Drum.

The BMX isn’t just a cosmetic throwback. The presenter is quick to address online speculation, clarifying that Behringer has recreated the original voice circuits and filters for an authentic sonic experience, rather than simply re-skinning previous models. The aim is to deliver the punch and character heard on records by New Order, Madonna, and early hip hop pioneers, while making these sounds accessible to those who can’t justify vintage prices. The BMX also doubles as a drum sampler, letting users inject their own samples into its vintage-flavoured circuitry.

Central to the BMX’s workflow are its 24 velocity-sensitive pads, which invite users to tap in beats with expressive dynamics. The video highlights how each pad can trigger up to 12 different samples at a time, allowing for intricate layering and real-time performance tweaks. The pads aren’t just for input—they’re also used for navigating channels and settings, making the interface feel tactile and immediate.

Groove shaping is further supported by swing and tempo controls, giving users the ability to humanise patterns and dial in the right rhythmic feel. Each drum voice can be dynamically controlled, with pans, faders, and encoders for sample selection and parameter tweaks. The overall impression is of a machine designed for hands-on beat creation, where every hit and tweak can be felt in the groove.

The BMX arrives loaded with a generous library of 121 drum samples, spread across multiple banks. The video walks through these banks, starting with the BMX’s own signature set and moving through the BX, R10, R5, Latin, Electro, and African percussion banks. Each bank offers a distinct flavour, from classic analog hits to more exotic percussive textures.

This breadth of sounds means users can quickly access both the iconic tones of the 80s and a wider palette for contemporary production. The sample banks are easily scrollable via channel encoders, and the inclusion of both classic and less common kits suggests Behringer wants the BMX to be more than just a one-trick retro pony. For patchers and beatmakers alike, this variety opens up plenty of room for exploration.

The BMX’s integrated 16-step sequencer is at the heart of its pattern programming. Users can build sequences directly from the pads, with the option to expand up to 64 steps for more complex arrangements. The sequencer supports auto-scrolling and programmable ratcheting, allowing for rapid-fire repeats and evolving rhythms that go beyond basic step entry.

Performance tools are a major focus, with features like step repeat, note repeat, auto fill, and channel solo/mute modes all accessible for live jamming. The video demonstrates how these modes can be used to inject spontaneity and variation into patterns, making the BMX as suitable for the stage as it is for the studio. With storage for up to 192 patterns and easy import/export via the companion app, the BMX is clearly built for both immediate fun and deeper arrangement work.