AudioPilz Wrestles with the Prophet REV2

AudioPilz opens with a familiar wry humour, introducing the Sequential Prophet REV2 as the latest victim on his ‘Bad Gear’ series. This synth, released under the DSI name in 2017, is pegged as the tool to elevate your setup from a ramshackle affair to something that resembles a studio fit for grown-ups. However, the punchline of the segment is its monotonous inevitability of making such an environment snooze-inducing. The Prophet REV2 promises all the bells and whistles with its classic keybed, velocity, aftertouch, and a boatload of front panel controls. Yet, AudioPilz hints at an underlying monotony lurking beneath its polished exterior.

Jumping into the technical specifications, AudioPilz deconstructs the Prophet REV2’s dual DCOs. These digital-controlled oscillators, while tweakable with noise and sub oscillators, initially emit a rather clinical sound likened to a 2010s plugin. AudioPilz is straight with his opinion, noting the instrument’s tonal capabilities but with a hint of disenchantment. The Curtis Lowpass filter attempts to inject life back with its squelchy nature in 4-pole mode, though left longing in its uninspired 2-pole setting. AudioPilz takes us through the modulation matrix, a cornerstone of this instrument, providing plenty of flexibility and intrigue. He appreciates the potential for intricate modulations, although he does note that it might lead you to ignore social engagements in favour of twisting knobs and chasing sonic rabbits. His critical eye scans the interface, finding both strengths and conveniences.

As AudioPilz dives into the FX section, his critique turns cutting. He finds the effects, built into every layer, underwhelming. Basic algorithms don’t meet his thirst for something groundbreaking, though the dedicated outputs for layer B provide a modicum of consolation. As he examines the Prophet REV2’s polyphony, he laments the need for an upgrade kit to achieve their touted 16-voice vision, costing nearly as much as new gear. The Prophet’s sonic realm is scrutinized, revealing a pronounced midrange that could split opinions with its polarizing warmth. Yet, AudioPilz acknowledges it covers much-needed sonic territory, from vintage brassy blares to atmospheric pads. Through his honest commentary, AudioPilz seems to teeter between acceptance and apathy, conveying a nuanced balance of the synth’s charms and shortcomings.

Concluding his exploration, AudioPilz delivers his verdict with a pinch of sarcasm fused with truth. For those in search of a robust and versatile tool, the Prophet REV2 might just do the trick for serious musicians. The critique reflects on its stature, being a professional yet perhaps pedestrian choice. AudioPilz admits the synth’s playability and construction stand up well to demands, but he gestures towards other, more erratic hardware that pulls his own punk heartstrings. It’s a synth designed for the established musician rather than the experimental wanderer, a fact made clear in his droll delivery. With finality, he tips his hat to the Prophet REV2, praising its merits amidst a sly nod to the eccentric, aged synths he holds dear.