Presets can be the unsung heroes of the synth world, and Florian Pilz, aka AudioPilz, takes us on a journey through the top 10 synth presets of all time. From Yamaha’s FM synths to the Roland Juno, this video is a must-watch for anyone who appreciates the quirky and influential sounds that shaped music history. Tune in for the gear insights you didn’t know you needed!

19. April 2025
JET
AudioPilz Ranks the Top 10 Synth Presets Ever!
Alesis SR-16, Korg Wavestation, Moog Muse, Roland Alpha Juno, Roland D-50, Roland JP-8000, Sylenth1, System Eight, System One, TX81Z, Yamaha DX100, Yamaha DX7
Exploring the Realm of Presets
AudioPilz kicks things off with a bold declaration: presets are, in his words, good. He immediately dives into the world of synth presets, challenging the elitist notion that real musicians only craft sounds from scratch, like sonic alchemists. He sets the stage by reminding us that some presets have left a more significant mark on music history than those custom patches that often reside in dusty Eurorack systems. This video is about celebrating the unsung heroes—those ready-made sounds that became iconic, much to the chagrin of synth purists.

"Presets are good. Many synths pride themselves on their from scratch programming skills, but today we will shed a light on both underrated factory content and well-known patches."
© Screenshot/Quote: Audiopilz (YouTube)
Yamaha FM Synthesis – A Dive into Lately Bass

"The slick bass tones of vintage budget synths based on Sega Genesis-like 4 operator FM technology still sound fresh."
© Screenshot/Quote: Audiopilz (YouTube)
The journey begins with a nod to the infamous Yamaha DX series, notorious for their complex FM synthesis that often leaves even seasoned programmers scratching their heads. AudioPilz highlights iconic presets like Lately Bass from the TX81Z, noting its unique timbre due to a different set of waveforms. He humorously comments on the ‘Coffin of Coldness’ that is the DX7, infamous for its ubiquitous E-Piano 1 preset found in countless easy-listening tracks. The Lately Bass stands out, reminding us of the raw power these ‘budget’ vintage synths still hold. While the Moog maintains its status for formidable mono sounds, Florian wryly notes the shift with the Moog Muse, a new player trying to redefine polyphony with big dreams. The unpredictable character of FM synthesis, likened to a wild night at a British pub, is both feared and revered, proving that sometimes, presets know best.
Roland's Game Changers: Alpha Juno and the Infamous Hoover
Roland’s contribution to the preset pantheon cannot be overlooked. The Alpha Juno’s ‘Hoover’ sound, or Dominator patch, became a cultural phenomenon, transcending its ’80s origin. Initially too intense for its time, it later morphed into a staple for dance and rave scenes in the early ’90s. Specific dive into the role of Eric Persing, whose contribution to this iconic sound is underscored, painting him as the unsung hero behind the scenes. The Hoover’s raw, pulsating energy feels like a non-stop rave packed into a single note, setting the mojitos of Miami on fire with each beat. Its impact was so seismic that even the bodybuilders of Hollywood, with their peculiar accents, could not resist its allure.

"One of these presets was far too awesome for the uptight music industry of the time."
© Screenshot/Quote: Audiopilz (YouTube)
Korg, Roland D-50, and the Never-Ending Beauty of Soundtrack
Then comes the Korg Wavestation’s Ski Jam, a preset designed not for musical innovation but for the hard sell. Its complex sequencing was a nightmare disguised as brilliance, never really making its mark beyond the showroom floor but leaving retailers with tales to tell. Florian sails smoothly to Roland’s D-50, another labyrinth of a synth known for its presets. The pristine beauty of the ‘Soundtrack’ preset is praised, a testament to how the D-50 could evoke synth symphonies despite its impenetrable interface. AudioPilz muses on other gems like ‘Fantasia,’ but it’s ‘Soundtrack’ that stands tall, embodying a cinematic grandeur that transcends time. The D-50, notorious for ‘P.I.T.A.’ programming, is lauded for presets that were happy accidents – accidents that turned into masterpieces, like digital punk soundtracks that never grow old.
Super Saws and the Cowbell Underdog – Silent but Deadly
As we venture into the latter half of the video, the focus shifts to Roland’s JP-8000 and its ‘Supersaw’ waveform, not a true preset but a sound that defined an era. Used in trance and beyond, it’s the sonic equivalent of a thumping nightclub, where every pulse of light and sound is designed to keep you moving. AudioPilz touches on the unexpected Roland System One Cowbell Oscillator, a peculiar yet rich affair harking back to the TR-808. Here, we have a nod to dance culture’s unsung hero, thriving in meme-worthy glory, ideal for those nostalgic for ’80s funk and beyond. It’s a love letter to these underdogs and their unsuspected might, proving that even a cowbell can become an instrument of rhythm, deeply woven into the fabric of disco’s rebellious offspring.
Orchestrated Chaos and Timeless Hits

"Whenever you think that your musical ideas are not original enough to make it in the business, put on Gorillaz Clint Eastwood and dust off some old toy instruments."
© Screenshot/Quote: Audiopilz (YouTube)
Approaching the video’s crescendo, AudioPilz presents the Alesis SR-16 with its ‘R&B 3 Kit’. An artifact from 1991 that refuses to fade away, it’s a testament to the timeless allure of the ’90s sound—much like how everyone loves a cheeky kebab after a night’s revelry. We’re then treated to an orchestration of the infamous ‘Orchestra Hit’, a sample of grand status that has found its way into countless productions. The piece becomes a backdrop to musical history, a legacy captured from Stravinsky to pop hits. Ultimately, Florian teases us with the idea of preset powerhouses, wondering why we ever doubted their impact. With a cheeky grin, he invites viewers to bring their roasting A-game, daring them to challenge the eternal charm of his chosen sonic titans.
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