AudioPilz and the JV-1010: A Love-Hate Relationship

4. October 2025

JET

AudioPilz and the JV-1010: A Love-Hate Relationship

In the latest episode of ‘Bad Gear,’ AudioPilz tackles Roland’s JV-1010, a synth that seems to embody the love-hate dichotomy within the music production world. Packed with 90s nostalgia and questionable design choices, it’s both a relic and a punchline of its own epoch.

Roland JV-1010: A Love-Hate Affair

Kicking off with a spot-on quip, Florian Pilz, alias AudioPilz, dives into a retrospectively unlucky episode of ‘Bad Gear,’ subjecting Roland’s JV-1010 to his incisive critique. The JV-1010 is not merely a synth but a clear marker in music tech, dividing opinion like anchovies on pizza. With its roots in 1999, this Roland gem captures the tail end of what many see as the golden era of Romplers. AudioPilz doesn’t hesitate to point out the JV-1010’s minimalist design—one that seems to prioritise compactness over usability, featuring a display smaller than the patience one needs to navigate it. It’s less a user interface and more an exercise in existential perseverance.

This obvious insult to UI design combined classic ROMpler tones of the 90s with a workflow so abysmal it helped pave the way for the DAW…

© Screenshot/Quote: Audiopilz (YouTube)

Nostalgia and Techno Chaos

In case you're willing to embrace these limitations, the JV-1010 is a slightly outdated dictionary of Rolandian 80s cheese, 90s jank.

© Screenshot/Quote: Audiopilz (YouTube)

AudioPilz gives an exhaustive breakdown of the JV-1010’s offerings, proving once again why his ‘Bad Gear’ series can make even the driest synth discussion pop like an electrified balloon. This little beast borrows heavily from the JV-2080, incorporating its revered tones and adding a non-removable session card expansion, akin to finding a spare quid down the back of your Gran’s sofa. Yet, despite these throwbacks to an era where techno was king, it comes with a single expansion slot, a real tease for lovers of more than just a dab of digital nostalgia. As AudioPilz scrolls through the unit’s features, the general MIDI bank resonates with echoes of a boomer shooter soundtrack, bringing a tear to the eye of any 90s gaming aficionado.

Software Woes and Mid-90s Mojo

The tale of the JV-1010 wouldn’t be complete without touching on its software Achilles’ heel. As Florian navigates through what feels like a labyrinth of MIDI controls and outdated software options, he unveils the cold truth: this relic’s true potential is as tied to its long-deceased editor software as a punk rock band is to its DIY ethos. To eke out its multi-timbral capacities necessitates a dance with digital ghosts, invoking lost software editors and wrangling MIDI CCs, leaving us longing for the days when click-and-point wasn’t the only way to tweak synth patches. But when overcome, the richness of tone and intense sound-sculpting possibilities almost justify the blood, sweat, and MIDI tears.


Preset Party and the Cheese Factor

Here, the JV-1010 flexes its muscles—or tries to—through a jamboree of presets that Florian cheekily dubs a ‘preset doom-scroll.’ The bold, brassy noises and nostalgic synthwave vibes showcase its potential. Yet, in AudioPilz’s exploration of this digital soundscape, the cheesier aspects inevitably bubble to the surface. It’s like trying to keep your punk handshake unsticky while holding a pint of lager, inevitably you’re going to spill a bit. Each preset is a nod to Roland’s once cutting-edge but now slightly stale offering. However, there’s no dismissing the unrefined charm in those classic Roland waves when the right settings are dialed in.

With a vast selection of Roland patches like this comes great responsibility not to choose the cheesiest ones and I might be the wrong…

© Screenshot/Quote: Audiopilz (YouTube)

A Verdict on Roland’s Past and Present

As the final chords echo, AudioPilz wraps up this nostalgic voyage with a reflective verdict. The JV-1010 stands as a testament to Roland’s pivotal transition from the 80s warmth to 90s digital coldness. While its sound quality holds up, resembling a careful blend of realism and characterful nostalgia, the exhaustive reliance on software is a dealbreaker. Yet, it’s also this raw, sound-laden spirit that gives it an air of undying authenticity. AudioPilz eloquently closes the episode, hinting at Roland’s focus on protecting its digital legacy over its analogue prowess—a nod to the unique place the JV-1010 occupies, untouched by clone-makers and forever housing the cacophonous sounds of the past.


This article is also available in German. Read it here: https://synthmagazin.at/audiopilz-und-der-jv-1010-eine-hassliebe/